{"id":139,"date":"2021-04-19T17:40:21","date_gmt":"2021-04-19T17:40:21","guid":{"rendered":"https:\/\/tritonus.de\/?page_id=139"},"modified":"2021-04-19T17:40:22","modified_gmt":"2021-04-19T17:40:22","slug":"schallplattenpreise","status":"publish","type":"page","link":"https:\/\/tritonus.de\/?page_id=139","title":{"rendered":"Schallplattenpreise"},"content":{"rendered":"\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Auszeichnung<\/th>Datum<\/th>N\u00e4here Informationen<\/th>\n<\/tr>\n<\/thead>\n
Grammy (USA)<\/td>2014<\/td>Best Choral Performance<\/td>\n<\/tr>\n
<\/td><\/td>ARVO P\u00c4RT: Adam's Lament<\/td>\n<\/tr>\n
<\/td><\/td>Latvian Radio Choir \/ Sinfonietta Riga \/<\/td>\n<\/tr>\n
<\/td><\/td>Vox Clamantis \/ Estonian Philharmonic<\/td>\n<\/tr>\n
<\/td><\/td>Chamber Choir \/ Tallinn Chamber<\/td>\n<\/tr>\n
<\/td><\/td>Orchestra - T\u00f6nu Kaljuste<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 2225<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2013<\/td>Best Instrumental Soloist Performance<\/td>\n<\/tr>\n
<\/td><\/td>GY\u00d6RGY LIGETI \/ GY\u00d6RGY KURT\u00c1G: Music for Viola<\/td>\n<\/tr>\n
<\/td><\/td>Kim Kashkashian, Viola<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 2240<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2010<\/td>Best Classical Album<\/td>\n<\/tr>\n
<\/td><\/td>GUSTAV MAHLER: Symphony No. VIII<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>SFS Media (www.sfsymphony.org)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2010<\/td>Best Engineered Album, Classcial<\/td>\n<\/tr>\n
<\/td><\/td>GUSTAV MAHLER: Symphony No. VIII<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>SFS Media (www.sfsymphony.org)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2010<\/td>Best Choral Performance<\/td>\n<\/tr>\n
<\/td><\/td>GUSTAV MAHLER: Symphony No. VIII<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony, Pacific Boy Choir<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Girls Chorus, San Francisco Symphony Chorus<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>SFS Media (www.sfsymphony.org)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2007<\/td>Best Classical Album<\/td>\n<\/tr>\n
<\/td><\/td>GUSTAV MAHLER: Symphony No. VII<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>SFS Media (www.sfsymphony.org)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2007<\/td>Best Orchestral Performance<\/td>\n<\/tr>\n
<\/td><\/td>GUSTAV MAHLER: Symphony No. VII<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>SFS Media (www.sfsymphony.org)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2003<\/td>Best Classical Album<\/td>\n<\/tr>\n
<\/td><\/td>GUSTAV MAHLER: Symphony No. III<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>SFS Media (www.sfsymphony.org)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2002<\/td>Best Orchestral Performance<\/td>\n<\/tr>\n
<\/td><\/td>GUSTAV MAHLER: Symphony No. VI<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>SFS Media (www.sfsymphony.org)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2002<\/td>Best Instrumental Soloist Performance<\/td>\n<\/tr>\n
<\/td><\/td>FREDERIC CHOPIN: \u00c9tudes<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical SK61885<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2000<\/td>Best Classical Album<\/td>\n<\/tr>\n
<\/td><\/td>IGOR STRAWINSKY:<\/td>\n<\/tr>\n
<\/td><\/td>L\u00b4Oiseau de feu, Sacre du printemps, Pers\u00e9phone<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony Orchestra,<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>RCA Victor Red Seal 09026-68898-2 (3 CDs)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2000<\/td>Best Engineered Album<\/td>\n<\/tr>\n
<\/td><\/td>IGOR STRAWINSKY:<\/td>\n<\/tr>\n
<\/td><\/td>L\u00b4Oiseau de feu, Sacre du printemps, Pers\u00e9phone<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony Orchestra,<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>RCA Victor Red Seal 09026-68898-2 (3 CDs)<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1999<\/td>J.S.BACH: Englische Suiten Nr. 1, 3 und 6<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK60276<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>SERGEI PROKOFIEV: Romeo and Juliet<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony Orchestra,<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>RCA Victor Read Seal 09026 68288-2<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1989<\/td>BELA BART\u00d3K: Streichquartette Nr. 1 - 6<\/td>\n<\/tr>\n
<\/td><\/td>Emerson String Quartet<\/td>\n<\/tr>\n
<\/td><\/td>DG 423 657-2GH2<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
Grammophone Award (UK)<\/td>2020<\/td>Best Instrumental Soloist Performance<\/td>\n<\/tr>\n
<\/td><\/td>Beethoven Piano Sonatas<\/td>\n<\/tr>\n
<\/td><\/td>Igor Levit<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2017<\/td>Best Instrumental Soloist Performance<\/td>\n<\/tr>\n
<\/td><\/td>J.S. Bach The French Suites<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia<\/td>\n<\/tr>\n
<\/td><\/td>Deutsche Grammophone 00028947965657<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2016<\/td>RECORDING OF THE YEAR<\/td>\n<\/tr>\n
<\/td><\/td>J.S.Bach: Goldberg-Variations<\/td>\n<\/tr>\n
<\/td><\/td>L.v.Beethoven: Diabelli-Variations<\/td>\n<\/tr>\n
<\/td><\/td>F.Rzewski: People United Never Will Be Defeated<\/td>\n<\/tr>\n
<\/td><\/td>Igor Levit, piano<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88875060962<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2011<\/td>JOHANNES BRAHMS:<\/td>\n<\/tr>\n
<\/td><\/td>H\u00e4ndel-Variationen u.a.<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88697727252<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2003<\/td>Record of the Year<\/td>\n<\/tr>\n
<\/td><\/td>ROBERT SCHUMANN:<\/td>\n<\/tr>\n
<\/td><\/td>Streichquartette Op. 41 Nr. 1 & 3<\/td>\n<\/tr>\n
<\/td><\/td>Zehetmair-Quartett<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1793<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2003<\/td>FREDERIC CHOPIN: Etudes<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK61885<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2002<\/td>CLAUDIO MONTEVERDI: Selva morale<\/td>\n<\/tr>\n
<\/td><\/td>Cantus C\u00f6lln \/ Concerto Palatino \/ Konrad Jungh\u00e4nel<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 901718.20<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2001<\/td>J.S.BACH: Goldberg-Variationen<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK89243<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>GY\u00d6RGY KURT\u00c1G: Musik f\u00fcr Streichinstrumente<\/td>\n<\/tr>\n
<\/td><\/td>Keller-Quartett<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1598<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>G . F. H\u00c4NDEL, D. SCARLATTI: Klavierwerke<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK62785<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1995<\/td>FREDERIC CHOPIN: Balladen, Walzer, Et\u00fcden, etc.<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK64399<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1993<\/td>CLAUDE DEBUSSY: Le martyre de Saint Sebastien<\/td>\n<\/tr>\n
<\/td><\/td>London Symphony Orchestra,<\/td>\n<\/tr>\n
<\/td><\/td>Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK48240<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1989<\/td>BELA BART\u00d3K: Streichquartette Nr. 1 - 6<\/td>\n<\/tr>\n
<\/td><\/td>Emerson String Quartet<\/td>\n<\/tr>\n
<\/td><\/td>DG 423 657-2GH2<\/td>\n<\/tr>\n
Edison Award (NL)<\/td>2024<\/td>Danish String Quartet<\/td>\n<\/tr>\n
<\/td><\/td>Prism V<\/td>\n<\/tr>\n
<\/td><\/td>ECM<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2015<\/td>ANTONIO CALDARA<\/td>\n<\/tr>\n
<\/td><\/td>La Concordia de' Pianeti<\/td>\n<\/tr>\n
<\/td><\/td>La Cetra, Soloists, Andrea Marcon<\/td>\n<\/tr>\n
<\/td><\/td>DG 4793383<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2014<\/td>BEETHOVEN: Late Piano Sonatas<\/td>\n<\/tr>\n
<\/td><\/td>Igor Levit<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical 88883703872<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2011<\/td>JAN PIETERSZOON SWEELINCK:<\/td>\n<\/tr>\n
<\/td><\/td>Het Sweelinck Monument -<\/td>\n<\/tr>\n
<\/td><\/td>Complete vocaale werken (17 CDs)<\/td>\n<\/tr>\n
<\/td><\/td>Gesualdo Consort Amsterdam -<\/td>\n<\/tr>\n
<\/td><\/td>Harry van der Kamp<\/td>\n<\/tr>\n
<\/td><\/td>Glossa GES 922401-406NL<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2009<\/td>J.S.BACH: Cantatas BWV 27, 84, 95, 161<\/td>\n<\/tr>\n
<\/td><\/td>Collegium Vocale Gent, Philippe Herreweghe<\/td>\n<\/tr>\n
<\/td><\/td>harmonia mundi HMC801969<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2009<\/td>JAN PIETERSZOON SWEELINCK:<\/td>\n<\/tr>\n
<\/td><\/td>Complete Vocale Werken deel I \u2013 De Wereldlijke Werken<\/td>\n<\/tr>\n
<\/td><\/td>Gesualdo Consort Amsterdam, Harry van der Kamp<\/td>\n<\/tr>\n
<\/td><\/td>Glossa 8424562524019<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2007<\/td>GUSTAV MAHLER: Des Knaben Wunderhorn<\/td>\n<\/tr>\n
<\/td><\/td>Sarah Connolly - Dietrich Henschel<\/td>\n<\/tr>\n
<\/td><\/td>Orchestre des Champs-\u00c9lys\u00e9es, Philippe Herreweghe<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 794881804825<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2007<\/td>GY\u00d6RGY KURT\u00c1G: Kafka-Fragmente op.24<\/td>\n<\/tr>\n
<\/td><\/td>Juliane Banse - Andr\u00e1s Keller<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1965<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2007<\/td>JACOBUS DE KERLE: Da Pacem Domine<\/td>\n<\/tr>\n
<\/td><\/td>Huelgas-Ensemble - Paul van Nevel<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 901866<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2007<\/td>ROLAND DE LASSUS: Psalmi Davidis poenitentiales<\/td>\n<\/tr>\n
<\/td><\/td>Collegium Vocale Gent - Philippe Herreweghe<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 901922<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2004<\/td>ROBERT SCHUMANN: Streichquartette op. 41 Nr. 1 & 3<\/td>\n<\/tr>\n
<\/td><\/td>Zehetmair-Quartett<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1793<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2004<\/td>GY\u00d6RGY KURT\u00c1G: Signs, Games and Messages<\/td>\n<\/tr>\n
<\/td><\/td>Kurt Widmer, Orlando Trio et al.<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1730<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2001<\/td>J. S. BACH: Goldberg-Variationen<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK89243<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1999<\/td>JOHANNES BRAHMS: Sonaten f\u00fcr Viola und Klavier<\/td>\n<\/tr>\n
<\/td><\/td>Kim Kashkashian - Robert Levin<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1630<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1996<\/td>CLAUDIO MONTEVERDI: Vespro della Beata Vergine<\/td>\n<\/tr>\n
<\/td><\/td>Cantus C\u00f6lln \/ Konrad Jungh\u00e4nel<\/td>\n<\/tr>\n
<\/td><\/td>Sony DHM 05472 773322<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1992<\/td>J.S.BACH: Weltliche Kantaten<\/td>\n<\/tr>\n
<\/td><\/td>Kammerchor Stuttgart - Frieder Bernius<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical Vivarte SK46492<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1991<\/td>ANTOINE BRUMEL: Missa a 12 \"Et ecce<\/td>\n<\/tr>\n
<\/td><\/td>terrae motus\"- Sequentia \"Dies irae\"<\/td>\n<\/tr>\n
<\/td><\/td>Huelgas Ensemble \/ Paul Van Nevel<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical Vivarte SK46348<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1990<\/td>HEINRICH SCH\u00dcTZ: Symphoniae Sacrae III<\/td>\n<\/tr>\n
<\/td><\/td>Kammerchor Stuttgart - Frieder Bernius<\/td>\n<\/tr>\n
<\/td><\/td>SONY DHM 88697568352<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1989<\/td>ARVO P\u00c4RT: Passio<\/td>\n<\/tr>\n
<\/td><\/td>Hilliard Ensemble<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1370<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
Midem - Cannes Classical Award (F)<\/td>2010<\/td>NICOLO PAGANINI: 24 Capricci<\/td>\n<\/tr>\n
<\/td><\/td>Thomas Zehetmair, Violine<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 2124<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2008<\/td>J. S. BACH: Partiten 2, 3 & 4<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Masterworks 88697400832<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2005<\/td>L.v. BEETHOVEN: Gesamtwerk f\u00fcr Cello und Klavier<\/td>\n<\/tr>\n
<\/td><\/td>Mikl\u00f3s Per\u00e9nyi \/ Andreas Schiff<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1819\/20<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2002<\/td>KARL AMADEUS HARTMANN: Concerto fun\u00e8bre<\/td>\n<\/tr>\n
<\/td><\/td>Isabelle Faust, MKO, Christoph Poppen<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1720<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2002<\/td>BARTOK\/E\u00d6TV\u00d6S\/KURTAG: Viola-Konzerte<\/td>\n<\/tr>\n
<\/td><\/td>Kim Kashkashian, Viola \/ Nederlands<\/td>\n<\/tr>\n
<\/td><\/td>Kamerorkest, Peter E\u00f6tv\u00f6s<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1711<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1998<\/td>FRANZ SCHUBERT: S\u00e4mtliche Werke zu vier H\u00e4nden<\/td>\n<\/tr>\n
<\/td><\/td>Klavierduo Tal & Groethuysen (7 CDs)<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88697535492<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>G. F. H\u00c4NDEL & D. SCARLATTI: Sonaten<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK62785<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>UTOPIA TRIUMPHANS<\/td>\n<\/tr>\n
<\/td><\/td>Polyphone Musik der Renaissance<\/td>\n<\/tr>\n
<\/td><\/td>Huelgas Ensemble, Paul van Nevel<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical Vivarte SK66261<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1995<\/td>JOSEPH HAYDN: Pariser Symphonien<\/td>\n<\/tr>\n
<\/td><\/td>Tafelmusik, Bruno Weil<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical Vivarte 88697963402<\/td>\n<\/tr>\n
ICMA International Classical Music Award<\/td>2021<\/td>Huelgas Ensemble<\/td>\n<\/tr>\n
<\/td><\/td>Bonefont<\/td>\n<\/tr>\n
<\/td><\/td>Cypr\u00e8s CYP1682<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2021<\/td>Chouchane Siranossian, VBO, Andrea Marcon<\/td>\n<\/tr>\n
<\/td><\/td>Tartini Violin Concertos<\/td>\n<\/tr>\n
<\/td><\/td>Alpha 696<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2020<\/td>Dorothee Oberlinger, Il Sonatori de la Gioiosa Marca<\/td>\n<\/tr>\n
<\/td><\/td>Night Music<\/td>\n<\/tr>\n
<\/td><\/td>DHM 19075912522<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2018<\/td>17th Century Sacred Music in Wroclaw<\/td>\n<\/tr>\n
<\/td><\/td>Concerto Palatino, Gli Angeli G\u00e9n\u00e8ve<\/td>\n<\/tr>\n
<\/td><\/td>Wroclaw Baroque Orchestra, MacLeod<\/td>\n<\/tr>\n
<\/td><\/td>Claves 1805<\/td>\n<\/tr>\n
DIAPOSON D'OR de l'ann\u00e9e (F)<\/td>2023<\/td>Robert Levin<\/td>\n<\/tr>\n
<\/td><\/td>Mozart Piano Sonatas<\/td>\n<\/tr>\n
<\/td><\/td>ECM<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2021<\/td>Leila Schayegh<\/td>\n<\/tr>\n
<\/td><\/td>Bach Sonatas and Partitas<\/td>\n<\/tr>\n
<\/td><\/td>Glossa GCD 924205<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2018<\/td>BEETHOVEN Piano Sonatas Nos.14 & 29<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia<\/td>\n<\/tr>\n
<\/td><\/td>DG 4798353<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2016<\/td>J.S. BACH Violin Sonatas<\/td>\n<\/tr>\n
<\/td><\/td>Schayegh, Halubek<\/td>\n<\/tr>\n
<\/td><\/td>Glossa GCD923507<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2015<\/td>ANTONIO CALDARA Trio Sonatas<\/td>\n<\/tr>\n
<\/td><\/td>Beyer, Schayegh, Pesek, B\u00f6tticher, Spaeter<\/td>\n<\/tr>\n
<\/td><\/td>Glossa GCD922514<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2015<\/td>WOLFGANG RIHM: Et Lux<\/td>\n<\/tr>\n
<\/td><\/td>Huelgas Ensemble, Minguet Quartett, Paul van Nevel<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 2404<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2014<\/td>CLAUDE LEJEUNE: The Treasures of Claude LeJeune<\/td>\n<\/tr>\n
<\/td><\/td>Huelgas Ensemble, Paul van Nevel<\/td>\n<\/tr>\n
<\/td><\/td>DHM 88843022442<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2011<\/td>J. S. BACH: Sonates et Partitas<\/td>\n<\/tr>\n
<\/td><\/td>Amandine Beyer, violon<\/td>\n<\/tr>\n
<\/td><\/td>ZigZag Territoires ZZT110902<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2009<\/td>LASSUS: Cantiones Sacrae<\/td>\n<\/tr>\n
<\/td><\/td>Collegium Vocale Gent, Philippe Herreweghe<\/td>\n<\/tr>\n
<\/td><\/td>harmonia mundi HMC901984<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2007<\/td>MOZART am STEIN VIS A VIS<\/td>\n<\/tr>\n
<\/td><\/td>Andreas Staier, Christine Schornsheim<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 901941<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2003<\/td>W. A. MOZART: Requiem<\/td>\n<\/tr>\n
<\/td><\/td>Kammerchor Stuttgart \/ Frieder Bernius<\/td>\n<\/tr>\n
<\/td><\/td>Carus-Verlag CV 837.207\/00<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2000<\/td>J. S. BACH: Actus Tragicus (et al.)<\/td>\n<\/tr>\n
<\/td><\/td>Cantus C\u00f6lln \/ Konrad Jungh\u00e4nel<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 901694<\/td>\n<\/tr>\n
ECHO KLASSIK (D)<\/td>2017<\/td>Daniel Hope<\/td>\n<\/tr>\n
<\/td><\/td>For Seasons<\/td>\n<\/tr>\n
<\/td><\/td>DG 00028947969228<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2017<\/td>Arash Safaian<\/td>\n<\/tr>\n
<\/td><\/td>\u00dcber Bach<\/td>\n<\/tr>\n
<\/td><\/td>Neue Meister<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2015<\/td>PASSION OF MUSICK<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td>Dorothee Oberlinger, Ensemble 1700,<\/td>\n<\/tr>\n
<\/td><\/td>Vittorio Ghielmi, Il suonar parlante<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical\/dhm 88843089762<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2015<\/td>KLEZMER KINGS - A TRIBUTE<\/td>\n<\/tr>\n
<\/td><\/td>David Orlowsky Trio<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2014<\/td>BEETHOVEN: Late Piano Sonatas<\/td>\n<\/tr>\n
<\/td><\/td>Igor Levit<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical 88883703872<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2013<\/td>FLAUTO VENEZIANO<\/td>\n<\/tr>\n
<\/td><\/td>Dorothee Oberlinger, Blockfl\u00f6te<\/td>\n<\/tr>\n
<\/td><\/td>Sonatori de la Gioiosa Marca<\/td>\n<\/tr>\n
<\/td><\/td>SONY DHM 88691955142<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2013<\/td>REQUIEM FOR A PINK MOON<\/td>\n<\/tr>\n
<\/td><\/td>Joel Frederiksen, Bass<\/td>\n<\/tr>\n
<\/td><\/td>Ensemble Phoenix Munich<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 902111<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2013<\/td>FR\u00dcHLINGSNACHT<\/td>\n<\/tr>\n
<\/td><\/td>Alexander Krichel, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88724562262<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2012<\/td>FRANCIS POULENC: Concert pour 2 pianos+<\/td>\n<\/tr>\n
<\/td><\/td>orch \/ Suite fran\u00e7aise \/ Concert champ\u00eatre<\/td>\n<\/tr>\n
<\/td><\/td>Anima Eterna Brugge, Jos van Immerseel<\/td>\n<\/tr>\n
<\/td><\/td>ZigZag Territoires ZZT110403<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2012<\/td>FRANZ SCHUBERT: Willkommen und Abschied<\/td>\n<\/tr>\n
<\/td><\/td>Werner G\u00fcra, T \/ Christoph Berner, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 902112<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2011<\/td>JOHANNES BRAHMS: H\u00e4ndel-Variationen et al.<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88697727252<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2011<\/td>DAVID ORLOWSKY \/ SINGER PUR:<\/td>\n<\/tr>\n
<\/td><\/td>\"Jeremiah\"<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88697646292<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2010<\/td>HECTOR BERLIOZ: Symphonie Fantastique<\/td>\n<\/tr>\n
<\/td><\/td>Anima Eterna Brugge, Jos van Immersel<\/td>\n<\/tr>\n
<\/td><\/td>Zig-Zag Territoires ZZT100101<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2010<\/td>MICHELANGELO ROSSI: La Poesia Cromatica<\/td>\n<\/tr>\n
<\/td><\/td>Huelgas Ensemble, Paul van Nevel<\/td>\n<\/tr>\n
<\/td><\/td>DHM \/ Sony Music 88697428542<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2010<\/td>J. S. BACH: Partiten 1, 5 & 6<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88697565602<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2009<\/td>FELIX MENDELSSOHN-BARTHOLDY:<\/td>\n<\/tr>\n
<\/td><\/td>Violinkonzert e-Moll op. 64<\/td>\n<\/tr>\n
<\/td><\/td>Leonidas Kavakos, Camerata Salzburg<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88765408702<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2008<\/td>J. S. BACH: Partiten 2, 3 & 4<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88697400832<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2008<\/td>RICHARD STRAUSS:<\/td>\n<\/tr>\n
<\/td><\/td>Eine Alpensinfonie - Vier letzte Lieder<\/td>\n<\/tr>\n
<\/td><\/td>Anja Harteros, Staatskapelle Dresden, Fabio Luisi<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SACD 88697141972<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2008<\/td>NOEMA<\/td>\n<\/tr>\n
<\/td><\/td>David Orlowsky's Klezmorim<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 88697075092<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2007<\/td>W. A. MOZART: S\u00e4mtliche Werke f\u00fcr zwei Pianisten<\/td>\n<\/tr>\n
<\/td><\/td>Klavierduo Tal & Groethuysen<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical 82876746552<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2004<\/td>GUILLAUME DE MACHAUT: Motetten<\/td>\n<\/tr>\n
<\/td><\/td>Hilliard Ensemble<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1823<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2004<\/td>ALTBACHISCHES ARCHIV<\/td>\n<\/tr>\n
<\/td><\/td>Cantus C\u00f6lln, Konrad Jungh\u00e4nel<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 901783.84<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2003<\/td>J. S. BACH: Klavierkonzerte Nr. 3, 5, 6 & 7<\/td>\n<\/tr>\n
<\/td><\/td>Academy of St. Martin In The Fields<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK89690<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2003<\/td>CHARLES IVES: AN AMERICAN JOURNEY<\/td>\n<\/tr>\n
<\/td><\/td>San Francisco Symphony, Michael Tilson Thomas<\/td>\n<\/tr>\n
<\/td><\/td>RCA Red Seal 9026637032<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2003<\/td>FRANZ SCHUBERT: Solowerke<\/td>\n<\/tr>\n
<\/td><\/td>Arcadi Volodos, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK89647<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2002<\/td>ANTONIO VIVALDI: Sp\u00e4te Konzerte<\/td>\n<\/tr>\n
<\/td><\/td>Giuliano Carmignola, Venice Baroque Orchestra<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK89362<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2002<\/td>J. S. BACH: Klavierkonzerte Nr. 1, 2 & 4<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Academy of Saint Martin in the Fields<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK89245<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2001<\/td>ANTONIO VIVALDI: Die vier Jahreszeiten<\/td>\n<\/tr>\n
<\/td><\/td>Giuliano Carmignola, Venice Baroque Orchestra<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK51352<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2000<\/td>J. S. BACH: Goldberg-Variationen<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perrahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK89243<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1999<\/td>JULES MASSENET: Werther<\/td>\n<\/tr>\n
<\/td><\/td>Vesselina Kasarova<\/td>\n<\/tr>\n
<\/td><\/td>Deutsches Symphonie-Orchester Berlin,<\/td>\n<\/tr>\n
<\/td><\/td>Vladimir Jurowski<\/td>\n<\/tr>\n
<\/td><\/td>RCA Red Seal 7432158224-2<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1999<\/td>J. S. BACH: Englische Suiten<\/td>\n<\/tr>\n
<\/td><\/td>Murray Perahia, Klavier<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK60276<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>FRANZ SCHUBERT: Klaviermusik zu vier H\u00e4nden<\/td>\n<\/tr>\n
<\/td><\/td>Klavierduo Yaara Tal & Andreas Groethuysen<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK68240<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1996<\/td>KLAVIERWERKE<\/td>\n<\/tr>\n
<\/td><\/td>Sophie Mautner<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK66252<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1994<\/td>REBELO: Vesper Psalms and Lamentations<\/td>\n<\/tr>\n
<\/td><\/td>Huelgas Ensemble, Paul van Nevel<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical SK53115<\/td>\n<\/tr>\n
Preis der deutschen Schallplattenkritik<\/td>2014<\/td>The Treasures of Claude Le Jeune<\/td>\n<\/tr>\n
<\/td><\/td>Huelgas Ensemble, Paul van Nevel<\/td>\n<\/tr>\n
<\/td><\/td>SONY DHM 88843022442<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2014<\/td>Ludwig van Beethoven: The Late Piano Sonatas<\/td>\n<\/tr>\n
<\/td><\/td>Igor Levit<\/td>\n<\/tr>\n
<\/td><\/td>SONY 8883703872<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2005<\/td>L.V.BEETHOVEN: Gesamtwerk f\u00fcr Cello und Klavier<\/td>\n<\/tr>\n
<\/td><\/td>Miklos Perenyi \/ Andreas Schiff<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1819\/20<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2005<\/td>FRANZ LISZT: Rhapsodies, Totentanz etc.<\/td>\n<\/tr>\n
<\/td><\/td>Anima Eterna Brugge, Jos van Immerseel<\/td>\n<\/tr>\n
<\/td><\/td>Zig-Zag Territoires ZZT041102<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2003<\/td>GY\u00d6RGY KURTAG: Signs, Games and Messages<\/td>\n<\/tr>\n
<\/td><\/td>Kurt Widmer et al.<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1730<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2002<\/td>CLAUDIO MONTEVERDI: Selva morale e spirituale<\/td>\n<\/tr>\n
<\/td><\/td>Cantus C\u00f6lln, Konrad Jungh\u00e4nel<\/td>\n<\/tr>\n
<\/td><\/td>Harmonia Mundi HMC 901718\/20<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1999<\/td>MNEMOSYNE<\/td>\n<\/tr>\n
<\/td><\/td>Jan Garbarek, Hilliard Ensemble<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1700\/01<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>GY\u00d6RGY KURT\u00c1G: Musik f\u00fcr Streichinstrumente<\/td>\n<\/tr>\n
<\/td><\/td>Keller-Quartett et al.<\/td>\n<\/tr>\n
<\/td><\/td>ECM New Series 1598<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>J. S. BACH: Weltliche Kantaten<\/td>\n<\/tr>\n
<\/td><\/td>Kammerchor Stuttgart, Concerto K\u00f6ln,<\/td>\n<\/tr>\n
<\/td><\/td>Frieder Bernius<\/td>\n<\/tr>\n
<\/td><\/td>SONY Classical Vivarte SK46492<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1997<\/td>CLAUDIO MONTEVERDI: Marienvesper<\/td>\n<\/tr>\n
<\/td><\/td>Cantus C\u00f6lln, Konrad Jungh\u00e4nel<\/td>\n<\/tr>\n
<\/td><\/td>BMG\/DHM 05472 773332198<\/td>\n<\/tr>\n
OPUS Klassik<\/td>2024<\/td>Franziska Fleischanderl, Il dolce conforto<\/td>\n<\/tr>\n
<\/td><\/td>Vivaldi's Salterio<\/td>\n<\/tr>\n
<\/td><\/td>Christophorus CHR77741<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2023<\/td>Regula M\u00fchlemann, CHAARTS<\/td>\n<\/tr>\n
<\/td><\/td>Fairy Tales<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2022<\/td>Huelgas Ensemble<\/td>\n<\/tr>\n
<\/td><\/td>En Albion<\/td>\n<\/tr>\n
<\/td><\/td>DHM 88985455212<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2021<\/td>Fatma Said<\/td>\n<\/tr>\n
<\/td><\/td>El Nour<\/td>\n<\/tr>\n
<\/td><\/td>Warner Classics<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2021<\/td>J\u00f6rg Widmann\/Andr\u00e1s Schiff<\/td>\n<\/tr>\n
<\/td><\/td>Brahms Klarinettensonaten<\/td>\n<\/tr>\n
<\/td><\/td>ECM 2621<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2020<\/td>Dorothee Oberlinger, Il Sonatori de la Gioiosa Marca<\/td>\n<\/tr>\n
<\/td><\/td>Night Music<\/td>\n<\/tr>\n
<\/td><\/td>DHM 19075912522<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2020<\/td>Igor Levit<\/td>\n<\/tr>\n
<\/td><\/td>Beethoven Piano Sonatas<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>2019<\/td>Igor Levit<\/td>\n<\/tr>\n
<\/td><\/td>Life<\/td>\n<\/tr>\n
<\/td><\/td>Sony Classical<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"class_list":["post-139","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/pages\/139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tritonus.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=139"}],"version-history":[{"count":1,"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/pages\/139\/revisions"}],"predecessor-version":[{"id":144,"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/pages\/139\/revisions\/144"}],"wp:attachment":[{"href":"https:\/\/tritonus.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}