{"id":128,"date":"2021-04-19T17:16:45","date_gmt":"2021-04-19T17:16:45","guid":{"rendered":"https:\/\/tritonus.de\/?page_id=128"},"modified":"2021-04-26T13:12:13","modified_gmt":"2021-04-26T13:12:13","slug":"referenzen","status":"publish","type":"page","link":"https:\/\/tritonus.de\/?page_id=128","title":{"rendered":"Referenzen"},"content":{"rendered":"\n

Die Labels mit denen wir bis dato zusammengearbeitet haben:<\/p>\n\n\n\n

<\/p>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Labels<\/th>\n<\/tr>\n<\/thead>\n
Accent<\/td>\n<\/tr>\n
Alpha<\/td>\n<\/tr>\n
Avie Records<\/td>\n<\/tr>\n
Brilliant Classics<\/td>\n<\/tr>\n
Carus Verlag<\/td>\n<\/tr>\n
Chrismon<\/td>\n<\/tr>\n
Col Legno<\/td>\n<\/tr>\n
Cypres<\/td>\n<\/tr>\n
Deutsche Grammophon Gesellschaft<\/td>\n<\/tr>\n
Divox<\/td>\n<\/tr>\n
Dreyer Gaido<\/td>\n<\/tr>\n
ECM Records (Manfred Eicher)<\/td>\n<\/tr>\n
Edel<\/td>\n<\/tr>\n
Editions Ambronay<\/td>\n<\/tr>\n
EMI France<\/td>\n<\/tr>\n
Enharmonic77<\/td>\n<\/tr>\n
Etcetera<\/td>\n<\/tr>\n
Finetone<\/td>\n<\/tr>\n
Fuga Libera<\/td>\n<\/tr>\n
Gallo<\/td>\n<\/tr>\n
Gallus Sonorus<\/td>\n<\/tr>\n
Glossa<\/td>\n<\/tr>\n
Guild Records<\/td>\n<\/tr>\n
Haenssler<\/td>\n<\/tr>\n
Harmonia Mundi France<\/td>\n<\/tr>\n
JVC Victor Japan<\/td>\n<\/tr>\n
Kairos<\/td>\n<\/tr>\n
Lauda M\u00fasica<\/td>\n<\/tr>\n
Mirare<\/td>\n<\/tr>\n
Naive<\/td>\n<\/tr>\n
Nimbus Records<\/td>\n<\/tr>\n
Oehms Classics<\/td>\n<\/tr>\n
Orfeo International<\/td>\n<\/tr>\n
Outhere PHI<\/td>\n<\/tr>\n
Pan Classics<\/td>\n<\/tr>\n
Pentatone<\/td>\n<\/tr>\n
RCA Red Seal<\/td>\n<\/tr>\n
San Francisco Symphony Media<\/td>\n<\/tr>\n
SONY BMG Masterworks<\/td>\n<\/tr>\n
SONY DHM<\/td>\n<\/tr>\n
SONY Classical<\/td>\n<\/tr>\n
Tafelmusik Media<\/td>\n<\/tr>\n
Virgin<\/td>\n<\/tr>\n
Wergo<\/td>\n<\/tr>\n
ZigZag Territoires<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
\n\n\n\n

Die K\u00fcnstlerinnen und K\u00fcnstler mit denen wir bis dato zusammengearbeitet haben:<\/p>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Artists<\/th>\n<\/tr>\n<\/thead>\n
Academy of St. Martin In The Fields<\/td>\n<\/tr>\n
Valery Afanassiev<\/td>\n<\/tr>\n
Leonardo Garcia Alarcon<\/td>\n<\/tr>\n
Al Ayre Espagnol<\/td>\n<\/tr>\n
Marcelo Alvarez<\/td>\n<\/tr>\n
Amphion Bl\u00e4serensemble<\/td>\n<\/tr>\n
Fanie Antonelou<\/td>\n<\/tr>\n
Giovanni Antonioni<\/td>\n<\/tr>\n
Anima Eterna Orchestra<\/td>\n<\/tr>\n
Armenian Chamber Choir<\/td>\n<\/tr>\n
Claudio Arrau<\/td>\n<\/tr>\n
Katja Avdeeva<\/td>\n<\/tr>\n
Yulianna Avdeeva<\/td>\n<\/tr>\n
Avi Avital<\/td>\n<\/tr>\n
Emanuel Ax<\/td>\n<\/tr>\n
Jon Balke<\/td>\n<\/tr>\n
Balthasar-Neumann-Chor<\/td>\n<\/tr>\n
Juliane Banse<\/td>\n<\/tr>\n
Cecilia Bartoli<\/td>\n<\/tr>\n
Basler Madrigalisten<\/td>\n<\/tr>\n
Romina Basso<\/td>\n<\/tr>\n
Lisa Bathiashvili<\/td>\n<\/tr>\n
Thomas E. Bauer<\/td>\n<\/tr>\n
Isabel Bayrakdarian<\/td>\n<\/tr>\n
Berliner Philharmoniker<\/td>\n<\/tr>\n
Julius Berger<\/td>\n<\/tr>\n
Christoph Berner<\/td>\n<\/tr>\n
Vincent Bernhardt<\/td>\n<\/tr>\n
Frieder Bernius<\/td>\n<\/tr>\n
Amandine Beyer<\/td>\n<\/tr>\n
Reto Bieri<\/td>\n<\/tr>\n
Fabio Biondi<\/td>\n<\/tr>\n
Hana Blazikova<\/td>\n<\/tr>\n
Florian Boesch<\/td>\n<\/tr>\n
Anouar Brahem<\/td>\n<\/tr>\n
Brasil Guitar Duo<\/td>\n<\/tr>\n
Pavol Breslik<\/td>\n<\/tr>\n
Khatia Buniatishvili<\/td>\n<\/tr>\n
Christine Busch<\/td>\n<\/tr>\n
Anner Bylsma<\/td>\n<\/tr>\n
Helen Callus<\/td>\n<\/tr>\n
Camerata Bern<\/td>\n<\/tr>\n
Camerata Salzburg<\/td>\n<\/tr>\n
Cantus C\u00f6lln<\/td>\n<\/tr>\n
Capella Mediterranea<\/td>\n<\/tr>\n
Carmina Quartett<\/td>\n<\/tr>\n
Giuliano Carmignola<\/td>\n<\/tr>\n
Elisa Citterio<\/td>\n<\/tr>\n
Alena Cherny<\/td>\n<\/tr>\n
Markellos Chryssicos<\/td>\n<\/tr>\n
Bart Coen<\/td>\n<\/tr>\n
Collegium 1704, Prag<\/td>\n<\/tr>\n
Collegium Vocale Gent<\/td>\n<\/tr>\n
Concertgebouw Orkest Amsterdam<\/td>\n<\/tr>\n
Concerto K\u00f6ln<\/td>\n<\/tr>\n
Concerto Palatino<\/td>\n<\/tr>\n
Concerto Soave<\/td>\n<\/tr>\n
Sarah Connolly<\/td>\n<\/tr>\n
Mirijam Contzen<\/td>\n<\/tr>\n
Gianni Coscia<\/td>\n<\/tr>\n
Francois Couturier<\/td>\n<\/tr>\n
Miranda Cuckson<\/td>\n<\/tr>\n
Danish String Quartet<\/td>\n<\/tr>\n
Dennis Russell Davies<\/td>\n<\/tr>\n
Sir Colin Davis<\/td>\n<\/tr>\n
Helmut Deutsch<\/td>\n<\/tr>\n
Deutsche Kammerphilharmonie<\/td>\n<\/tr>\n
Fabio Di C\u00e0sola<\/td>\n<\/tr>\n
Roel Dieltiens<\/td>\n<\/tr>\n
Leo van Doeselaar<\/td>\n<\/tr>\n
Dortmunder Philharmoniker<\/td>\n<\/tr>\n
Dresdner Kapellsolisten<\/td>\n<\/tr>\n
Dresdner Kreuzchor<\/td>\n<\/tr>\n
Dresdner Philharmonie<\/td>\n<\/tr>\n
Norbert D\u00fcchtel<\/td>\n<\/tr>\n
Duo Gazzana<\/td>\n<\/tr>\n
Ensemble Belcanto<\/td>\n<\/tr>\n
Ensemble Cantissimo<\/td>\n<\/tr>\n
Ensemble Clement Janequin<\/td>\n<\/tr>\n
Ensemble La Sestina<\/td>\n<\/tr>\n
Ensemble Modern<\/td>\n<\/tr>\n
Ensemble Movimento<\/td>\n<\/tr>\n
Ensemble Phoenix M\u00fcnchen<\/td>\n<\/tr>\n
Peter E\u00f6tv\u00f6s<\/td>\n<\/tr>\n
European Fine Arts Trio<\/td>\n<\/tr>\n
Isabelle Faust<\/td>\n<\/tr>\n
Frank Federsel<\/td>\n<\/tr>\n
Till Fellner<\/td>\n<\/tr>\n
Gabriel Felz<\/td>\n<\/tr>\n
Adam Fischer<\/td>\n<\/tr>\n
Markus Flaig<\/td>\n<\/tr>\n
Franziska Fleischanderl<\/td>\n<\/tr>\n
Evgenia F\u00f6lsche<\/td>\n<\/tr>\n
Joel Frederiksen<\/td>\n<\/tr>\n
Freiburger Barockorchester<\/td>\n<\/tr>\n
Roberto Fresco<\/td>\n<\/tr>\n
Jan Gabarek<\/td>\n<\/tr>\n
Sol Gabetta<\/td>\n<\/tr>\n
Karina Gauvin<\/td>\n<\/tr>\n
Guoda Gedvailit\u00e9<\/td>\n<\/tr>\n
Valery Gergiev<\/td>\n<\/tr>\n
Christian Gerhaher<\/td>\n<\/tr>\n
Gesualdo Consort<\/td>\n<\/tr>\n
Teo Gheorgiu<\/td>\n<\/tr>\n
Paul Giger<\/td>\n<\/tr>\n
Gli Angeli Gen\u00e8ve<\/td>\n<\/tr>\n
Franziska Gottwald<\/td>\n<\/tr>\n
Anna Gourari<\/td>\n<\/tr>\n
Susan Graham<\/td>\n<\/tr>\n
Markus Groh<\/td>\n<\/tr>\n
Ilya Grubert<\/td>\n<\/tr>\n
Werner G\u00fcra<\/td>\n<\/tr>\n
Ludwig G\u00fcttler<\/td>\n<\/tr>\n
Gurdjieff Ensemble<\/td>\n<\/tr>\n
Barry Guy<\/td>\n<\/tr>\n
Gabriele Gylyte<\/td>\n<\/tr>\n
Andreas Haefliger<\/td>\n<\/tr>\n
Ingrid Haebler<\/td>\n<\/tr>\n
Ann Hallenberg<\/td>\n<\/tr>\n
Simon Halsey<\/td>\n<\/tr>\n
J\u00f6rg Halubek<\/td>\n<\/tr>\n
Tigran Hamasayan<\/td>\n<\/tr>\n
Thomas Hampson<\/td>\n<\/tr>\n
Anja Harteros<\/td>\n<\/tr>\n
Orchestra Haydn Orchester Bozen<\/td>\n<\/tr>\n
Herbert Henck<\/td>\n<\/tr>\n
Thomas Hengelbrock<\/td>\n<\/tr>\n
Dietrich Henschel<\/td>\n<\/tr>\n
Pablo Heras Casado<\/td>\n<\/tr>\n
Philippe Herreweghe<\/td>\n<\/tr>\n
Uta Hielscher<\/td>\n<\/tr>\n
Hirundo Maris<\/td>\n<\/tr>\n
Heinz Holliger<\/td>\n<\/tr>\n
John Holloway<\/td>\n<\/tr>\n
Wolfgang Holzmair<\/td>\n<\/tr>\n
Maya Homburger<\/td>\n<\/tr>\n
Daniel Hope<\/td>\n<\/tr>\n
Huelgas Ensemble<\/td>\n<\/tr>\n
Hugo Wolf Quartett<\/td>\n<\/tr>\n
Lorraine Hunt Lieberson<\/td>\n<\/tr>\n
I Ciarlatani<\/td>\n<\/tr>\n
Il Delirio Fantastico<\/td>\n<\/tr>\n
Ioana Ilie<\/td>\n<\/tr>\n
Jos van Immerseel<\/td>\n<\/tr>\n
Israel Philharmonic<\/td>\n<\/tr>\n
Janine Jansen<\/td>\n<\/tr>\n
Paavo J\u00e4rvi<\/td>\n<\/tr>\n
Keith Jarrett<\/td>\n<\/tr>\n
Philippe Jarrouski<\/td>\n<\/tr>\n
Wyneke Jordans<\/td>\n<\/tr>\n
Kammerchor Stuttgart<\/td>\n<\/tr>\n
Kammerorchester Basel<\/td>\n<\/tr>\n
Harry van der Kamp<\/td>\n<\/tr>\n
Vesselina Kasarova<\/td>\n<\/tr>\n
Kim Kashkashian<\/td>\n<\/tr>\n
Amir Katz<\/td>\n<\/tr>\n
Jonas Kaufmann<\/td>\n<\/tr>\n
Leonidas Kavakos<\/td>\n<\/tr>\n
Simon Keenlyside<\/td>\n<\/tr>\n
Keller Quartett<\/td>\n<\/tr>\n
Olga Kern<\/td>\n<\/tr>\n
Isabelle van Keulen<\/td>\n<\/tr>\n
Maria Cristina Kiehr<\/td>\n<\/tr>\n
Angelika Kirchschlager<\/td>\n<\/tr>\n
Klavierduo Tal & Groethuysen<\/td>\n<\/tr>\n
Sebastian Knauer<\/td>\n<\/tr>\n
Momo Kodoma<\/td>\n<\/tr>\n
Patricia Kopatchinskaya<\/td>\n<\/tr>\n
Michie Koyama<\/td>\n<\/tr>\n
Magdalena Kozena<\/td>\n<\/tr>\n
Gidon Kremer<\/td>\n<\/tr>\n
Kremerata Baltica<\/td>\n<\/tr>\n
Alexander Krichel<\/td>\n<\/tr>\n
Gustav Kuhn<\/td>\n<\/tr>\n
Bart Kuijken<\/td>\n<\/tr>\n
Sigiswald Kuijken<\/td>\n<\/tr>\n
Wieland Kuijken<\/td>\n<\/tr>\n
Ewa Kupiec<\/td>\n<\/tr>\n
Christina Landshamer<\/td>\n<\/tr>\n
Saskia Lankhoorn<\/td>\n<\/tr>\n
Thomas Larcher<\/td>\n<\/tr>\n
Dejan Lazic<\/td>\n<\/tr>\n
L'Archibudelli<\/td>\n<\/tr>\n
L'arpa festante<\/td>\n<\/tr>\n
La Cetra Barockorchester Basel<\/td>\n<\/tr>\n
La Chapelle Royale<\/td>\n<\/tr>\n
La Grande Chapelle<\/td>\n<\/tr>\n
Anja Lechner<\/td>\n<\/tr>\n
Peter Lehel<\/td>\n<\/tr>\n
Gustav Leonhardt<\/td>\n<\/tr>\n
Robert Levin<\/td>\n<\/tr>\n
Igor Levit<\/td>\n<\/tr>\n
Alexander Liebreich<\/td>\n<\/tr>\n
Jaap ter Linden<\/td>\n<\/tr>\n
Ralf Lislevand<\/td>\n<\/tr>\n
Jens Lohmann<\/td>\n<\/tr>\n
London Symphony Orchestra<\/td>\n<\/tr>\n
Alexander Lonquich<\/td>\n<\/tr>\n
Alexei Ljubimov<\/td>\n<\/tr>\n
Fabio Luisi<\/td>\n<\/tr>\n
Vaclav Luks<\/td>\n<\/tr>\n
Stephan MacLeod<\/td>\n<\/tr>\n
Mahler Chamber Orchestra<\/td>\n<\/tr>\n
Hans J\u00f6rg Mammel<\/td>\n<\/tr>\n
Pablo Marquez<\/td>\n<\/tr>\n
Blair McMillen<\/td>\n<\/tr>\n
Bejun Mehta<\/td>\n<\/tr>\n
Zubin Mehta<\/td>\n<\/tr>\n
Lavinia Meijer<\/td>\n<\/tr>\n
Merel Quartet<\/td>\n<\/tr>\n
Sabine Meyer<\/td>\n<\/tr>\n
Wolfgang Meyer<\/td>\n<\/tr>\n
Dorothee Mields<\/td>\n<\/tr>\n
Naomi Mitsui<\/td>\n<\/tr>\n
Modern String Quartet<\/td>\n<\/tr>\n
Lars Ulrik Mortensen<\/td>\n<\/tr>\n
Magali Mosnier<\/td>\n<\/tr>\n
M\u00fcnchner Kammerorchester<\/td>\n<\/tr>\n
Musica Alta Ripa<\/td>\n<\/tr>\n
Musica Fiata K\u00f6ln<\/td>\n<\/tr>\n
Musikkollegium Winterthur<\/td>\n<\/tr>\n
Kent Nagano<\/td>\n<\/tr>\n
Charles Neidich<\/td>\n<\/tr>\n
Nederlands Kamerorkest<\/td>\n<\/tr>\n
Paul van Nevel<\/td>\n<\/tr>\n
New York Philharmonic<\/td>\n<\/tr>\n
New World Symphony<\/td>\n<\/tr>\n
Yannick N\u00e9zet-S\u00e9quin<\/td>\n<\/tr>\n
Ninive<\/td>\n<\/tr>\n
Dorothee Oberlinger<\/td>\n<\/tr>\n
Sarah O'Brien<\/td>\n<\/tr>\n
Orchestre des Champs Elys\u00e9es<\/td>\n<\/tr>\n
Orchestre Philharmonique de Strasbourg<\/td>\n<\/tr>\n
Orchestre symphonique de Montr\u00e9al<\/td>\n<\/tr>\n
Orpheon Ensemble<\/td>\n<\/tr>\n
David Orlowsky Trio<\/td>\n<\/tr>\n
Orpheus Chamber Orchestra<\/td>\n<\/tr>\n
Enrico Pace<\/td>\n<\/tr>\n
Marc Padmore<\/td>\n<\/tr>\n
G\u00fcher & S\u00fcher Pekinel<\/td>\n<\/tr>\n
Murray Perahia<\/td>\n<\/tr>\n
Mikl\u00f3s Per\u00e9nyi<\/td>\n<\/tr>\n
Hille Perl<\/td>\n<\/tr>\n
Marlis Petersen<\/td>\n<\/tr>\n
Michala Petri<\/td>\n<\/tr>\n
Nicolas Phan<\/td>\n<\/tr>\n
Marina Piccinini<\/td>\n<\/tr>\n
Christoph Poppen<\/td>\n<\/tr>\n
John Potter<\/td>\n<\/tr>\n
Christoph Pr\u00e9gardien<\/td>\n<\/tr>\n
Malcolm Proud<\/td>\n<\/tr>\n
Quink Vocaal Ensemble<\/td>\n<\/tr>\n
Valentin Radutiu<\/td>\n<\/tr>\n
Rasch\u00e8r Saxophone Quartet<\/td>\n<\/tr>\n
Felix Renggli<\/td>\n<\/tr>\n
Daniel Reuss<\/td>\n<\/tr>\n
RIAS Kammerchor<\/td>\n<\/tr>\n
Christoph Richter<\/td>\n<\/tr>\n
Anthony Rooley<\/td>\n<\/tr>\n
Rosamunde Quartett<\/td>\n<\/tr>\n
Ruth Rosique<\/td>\n<\/tr>\n
Mstislav Rostropovich<\/td>\n<\/tr>\n
Royal Danish Orchestra<\/td>\n<\/tr>\n
Royal Flemish Philharmonic<\/td>\n<\/tr>\n
Rebeka Rus\u00f3<\/td>\n<\/tr>\n
San Francisco Symphony<\/td>\n<\/tr>\n
Saltacello<\/td>\n<\/tr>\n
Dino Saluzzi<\/td>\n<\/tr>\n
Lee Santana<\/td>\n<\/tr>\n
Leila Schayegh<\/td>\n<\/tr>\n
Olga Scheps<\/td>\n<\/tr>\n
Andr\u00e1s Schiff<\/td>\n<\/tr>\n
Heinrich Schiff<\/td>\n<\/tr>\n
Peter Schindler<\/td>\n<\/tr>\n
Maximilian Schmitt<\/td>\n<\/tr>\n
Oliver Schnyder<\/td>\n<\/tr>\n
Schola Cantorum Basiliensis<\/td>\n<\/tr>\n
Andreas Scholl<\/td>\n<\/tr>\n
Christine Schornsheim<\/td>\n<\/tr>\n
Julia Schroeder<\/td>\n<\/tr>\n
Jan Schultsz<\/td>\n<\/tr>\n
Schweizer Oktett<\/td>\n<\/tr>\n
Midori Seiler<\/td>\n<\/tr>\n
Sinfonia Varsovia<\/td>\n<\/tr>\n
Chouchane Siranossian<\/td>\n<\/tr>\n
Nicholas Spanos<\/td>\n<\/tr>\n
Staatskapelle Dresden<\/td>\n<\/tr>\n
Andreas Staier<\/td>\n<\/tr>\n
Stavanger Symfonie<\/td>\n<\/tr>\n
Julian Steckel<\/td>\n<\/tr>\n
Maurice Steger<\/td>\n<\/tr>\n
Pinchas Steinberg<\/td>\n<\/tr>\n
Tamara Stefanovich<\/td>\n<\/tr>\n
Steven Stubbs<\/td>\n<\/tr>\n
Stuttgarter Kammerorchester<\/td>\n<\/tr>\n
Stuttgarter Philharmoniker<\/td>\n<\/tr>\n
John Surman<\/td>\n<\/tr>\n
Hidemi Suzuki<\/td>\n<\/tr>\n
Jaap van Sweden<\/td>\n<\/tr>\n
Tafelmusik Baroque Orchestra<\/td>\n<\/tr>\n
The Hilliard Ensemble<\/td>\n<\/tr>\n
Veriko Tchumburidze<\/td>\n<\/tr>\n
Tanja Tetzlaff<\/td>\n<\/tr>\n
Michael Tilson Thomas<\/td>\n<\/tr>\n
T\u00f6lzer Knabenchor<\/td>\n<\/tr>\n
Ralph Towner<\/td>\n<\/tr>\n
Trio Artemis<\/td>\n<\/tr>\n
Trio Atanassov<\/td>\n<\/tr>\n
Trio Medi\u00e6val<\/td>\n<\/tr>\n
Trio Karenine<\/td>\n<\/tr>\n
Gianluigi Trovesi<\/td>\n<\/tr>\n
Vassilis Tsabropoulos<\/td>\n<\/tr>\n
Ming Tsao<\/td>\n<\/tr>\n
Milos Valent<\/td>\n<\/tr>\n
D\u00e9nes V\u00e1rjon<\/td>\n<\/tr>\n
Venice Baroque Orchestra<\/td>\n<\/tr>\n
Jan Vermeulen<\/td>\n<\/tr>\n
Marcello Viotti<\/td>\n<\/tr>\n
Vocalensemble Rastatt (Holger Speck)<\/td>\n<\/tr>\n
Stefan Vock<\/td>\n<\/tr>\n
Jan Vogler<\/td>\n<\/tr>\n
Arcadi Volodos<\/td>\n<\/tr>\n
Anke Vondung<\/td>\n<\/tr>\n
Christian Wallumrod<\/td>\n<\/tr>\n
Carolin Widmann<\/td>\n<\/tr>\n
Kurt Widmer<\/td>\n<\/tr>\n
Sebastian Wienand<\/td>\n<\/tr>\n
Bruno Weil<\/td>\n<\/tr>\n
Wiener Philharmoniker<\/td>\n<\/tr>\n
Wiener S\u00e4ngerknaben<\/td>\n<\/tr>\n
Wiener Symphoniker<\/td>\n<\/tr>\n
Thomas Zehetmair<\/td>\n<\/tr>\n
Frank Peter Zimmermann<\/td>\n<\/tr>\n
Nikolaj Znaider<\/td>\n<\/tr>\n
Johanette Zomer<\/td>\n<\/tr>\n
Z\u00fcrcher Kammerorchester<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"

Die Labels mit denen wir bis dato zusammengearbeitet haben: Die K\u00fcnstlerinnen und K\u00fcnstler mit denen wir bis dato zusammengearbeitet haben:<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"class_list":["post-128","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/pages\/128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tritonus.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=128"}],"version-history":[{"count":3,"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/pages\/128\/revisions"}],"predecessor-version":[{"id":300,"href":"https:\/\/tritonus.de\/index.php?rest_route=\/wp\/v2\/pages\/128\/revisions\/300"}],"wp:attachment":[{"href":"https:\/\/tritonus.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}