MIXING CONSOLES digital:
YAMAHA DM-2000 (64 Microphone-Inputs via MADI)
YAMAHA DM-1000 (48 Microphone-Inputs via MADI)

analogue:
STUDER 961 and 962 (cascadeable up to 70 channels)


MICROPHONES BRUEL&KJAER 4006 (with APE L30-50), 4011
NEUMANN KM83, KM84
NEUMANN KM130, KM140, KM143
NEUMANN U87, U87A, U89
NEUMANN TLM170
SCHOEPS CMC5 mit MK2H, MK2S, MK3, MK21, MK 22, MK4
SONY C800G (valve)
SENNHEISER MKH40, MKE212

Highend Mic-Preamp RME Micstasy (MADI)

The microphones of the Neumann KM 100- and Schoeps-
series can also be equiped with discretly placeable
capsule extensions for live and video recordings.


RECORDER MAGIX Sequoia 64-track, 44.1 - 96 kHz (via MADI or ADAT)

2 Genex GX8500 (8-track DSD) for SACD-production



AD/DA-CONVERTER Genex (44.1-192 kHz, DSD)
RME ADI-8 DS
RME ADI-8 QS




REVERB BRICASTI M7 incl. Remote-Control
LEXICON 960L
LEXICON 480L V. 4


MONITORING QUAD ESL63 with Subwoofer, ROGERS LS3/5A,
PMC AML1, GENELEC 1031A


POSTPRODUCTION MAGIX SEQUOIA 44.1 to 96 kHz/24-bit up to 64-tracks
(incl. ALGORITHMIX Renovator and Descratcher/Declicker)

SONOMA for DSD-Editing and Mastering (EM) up to 8-tracks.
WEISS SARACON for converting PCM -> DSD and vice versa

Mastering format:
DDP (CD)
EM-DFF (SACD)

Format conversions from all usual PCM-formats to DSD
and backwards possible.


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